“The late Irish poet and author John O’ Donohue had this fantastic notion about how there are three key things you absolutely need to have any kind of balance in this damn world: silence, stillness, and solitude. We’re obviously living in a time that’s utterly devoid of any of those three things.” Berman, who just welcomed his second daughter this year, adds, “As much as parenting is this unbelievable well of joy and wonder, it also just quadruples that cacophony. You’re always dealing with the beginnings or the aftermath of chaos. I knew that if I couldn’t find a way to make space for that silence, stillness, and solitude in my life, I’d be a much worse father, husband, and songwriter for it.”
The artist’s own musical journey continues to zigzag through uncharted territory. In 2014, Eddie made his debut with the EP Blood & Rust, featuring his duet of “Dancing in the Dark” with British folk icon Laura Marling. The adored Springsteen cover received praise from Spin, NME, Consequence of Sound, Uncut and more. In the aftermath, Berman’s profile grew on international tours and with the release of his first LP Polyhymnia. He signed to Nettwerk Music Group in 2017 and released his sophomore album Before The Bridge, which saw him reach new milestones – generating tens of millions of streams with prime real estate on coveted Spotify playlists like Your Favorite Coffeehouse, Acoustic Covers, and The Pulse of Americana, and spurring tours with Laura Marling, Tyler Childers, Passenger, Lee Ann Womack, and William Fitzsimmons.
In the midst of all this, Berman and his family relocated to Portland, OR. As he settled into life in his new city, he began making a daily pilgrimage to nearby Forest Park, one of the largest urban forests in the US. He made it a ritual to go on a six mile hike each morning, during which he immersed himself in the books and lectures of great philosophers like O’ Donohue, Rainer Maria Rilke, Thich Nhat Hanh. “I’d hike the immensely beautiful three miles to the top of the trail listening to these incredible thinkers, and then hike back down in silence, unpacking what I’d heard. The constant through lines of these works started seeping into me: the deep solace of nature, the necessity of solitude, and the importance of always trying to see yourself on the threshold to new frontiers. This album came from that strange dualistic aspect of those hikes: one part of me was just trying to quiet my mind as I walked in the woods, and the other part of me was trying to, you know, dissect the infinite nature of the universe — and myself.
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